Oftentimes, when I would hear the "not melodic" complaint, I would want to play people "Johanna" from Sweeney Todd. Company is a musical about life in the big city, and "Another Hundred People" captures that experience vividly. On the contrary, it's difficult to listen to "Anyone Can Whistle" without hearing nakedly personal confession from the (then) young songwriter struggling to reach out beyond his limitations. This also tends to eliminate bigger production numbers or e duets, although some of those made this list. But somehow, through the richness of Sondheim's words and the depth of feeling they portray, you might be moved by "Losing My Mind," even if you're not a fan of torch songs of the 1930s. In honor of the Summer Games in Rio, Playbill crowned champions of theatrical feats. ", "Rain on the Roof", and "Can That Boy Foxtrot! By Talaura Harms, David Gewirtzman | 04/21/2016. He is the winner of an Academy Award, multiple Tony Awards (eight, more than any other composer) including the Special Tony Award for Lifetime Achievement in the Theatre, multiple Grammy Awards, and a Pulitzer Prize. View Stephen Sondheim song lyrics by popularity along with songs featured in, albums, videos and song meanings. Mr. Sondheim has kindly provided further information. I am in the process of compiling a list of these "phantom" titles. He wound up writing six new songs. Stephen Banfield's book helped in providing information on the early incarnations of some of the songs, and their relationships to subsequent songs. Stephen Sondheim wrote the music and lyrics for Saturday Night (1954), A Funny Thing Happened On The Way To The Forum (1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973), The Frogs (1974), Pacific Overtures (1976), Sweeney Todd (1979), Merrily We Roll Along (1981), Sunday In The Park With George (1984), Into The Woods (1987), Assassins (1991), Passion … Sign up for exclusive discounts and save up to 50% on tickets! Songs also included in Stephen Sondheim: A Collectors Sondheim (compilation of original cast recordings), RCA. Sondheim has been writing for the American Musical Theatre for the past four decades. So Sondheim gives us a song that works perfectly as what it seems to be and can also be turned inside out. DVDs; CDs; Blu-rays; Similar Artists. Passion - 2013 … Stephen Sondheim (born March 22, 1930 in New York City) is a composer and lyricist for stage and screen. https://www.buzzfeed.com/.../unforgettable-stephen-sondheim-songs Lots of songwriters go for the jugular for effect, but Sondheim only goes there when it's integral to the story he's telling, and that makes all the difference. Abbreviations used in the Notes field: Stephen Sondheim. "Now You Know" is a song like no other, offering a unique vision for a life, "letting go your illusions" and still "rolling along.". Overview; Biography; Songs; Browse by Format. The lyrics make it something of a patter song as they rush, scrambling to extol the myriad social experiences that fly by in metropolitan life, repeatedly accentuating the overwhelming quantity of it all in the titular phrase "another hundred people." It is a ballad from Act Two, in which the character Desirée reflects on the ironies and disappointments of her life. Evening Standard/Getty Images hide caption The lyrics make use of this almost dizzily bouncy, almost deliriously cheerful aesthetic to disarm the listener in a monologue that is first fun, then cutting, and surprisingly vulnerable. Stephen Sondheim (born March 22, 1930 in New York City) is a composer and lyricist for stage and screen. It's been a few decades since anyone has seriously pushed the notion that Sondheim's songs aren't melodic. In some ways, "You Could Drive A Person Crazy" is the quintessential Sondheim song. I've decided to base the list on songs that work out of context — a tall order given Sondheim's mastery of crafting music and lyrics specifically tailored to the characters and situations within his musicals. The same is true of Company, although as I've said, I think that show is musically stylized to paint an aural portrait of city life. Song (3) Unrequited Love (3) 19th Century (2) Baker (2) Bakery (2) Based On Stage Musical Based On Stage Play (2) Burlesque (2) Cellar (2) Character Name As Title (2) Dance (2) Face Slap (2) Filmed Play (2) Girl (2) Italy (2) Jealousy (2) Lifting Someone Into The Air (2) Live Performance (2) Love At First Sight (2) Male Female Relationship (2) Manhattan New York City (2) Marriage (2) That means many of his greatest songs are too tied to those characters and situations to be enjoyable outside those contexts, and therefore are ineligible for this list. - - Broadway; Musical/Show - Hal Leonard - Digital Sheet Music LMH - the lyrics are included in Look, I Made a Hat (Collected Lyrics 1981-2011) Comedy Tonight: Stephen Sondheim's Funniest Songs, RCA Victor, 2002. Passion, heartbreak, bitterness and hope are never so human as in one of his musical numbers. Music used as "Salon at the Claridge #2" on Stavisky "Who Knows / I Know" Hot Spot: Music by Mary Rodgers and SS, lyrics by SS and Martin Charnin; also known as "That's Good, That's Bad" "Who Needs Him?" A Funny Thing Happened on the Way to the Forum, A Funny Thing Happened on the Way to the Forum, A Funny Thing Happened on the Way to You hear it once and you understand it completely. After debuting in A Little Night Music in 1973, "Send In The Clowns" was a legitimate pop hit for both Frank Sinatra and Judy Collins (on the pop charts twice for the latter). Send in the Clowns: The Ballads of Stephen Sondheim, RCA Victor, 2002. Only Sondheim could write a song both so busy and beautiful. Did I say "You Could Drive A Person Crazy" was the quintessential Sondheim song? And the reason is clear. Here are the characters we want to see tackled by Sutton Foster, Patti LuPone, Billy Porter, Neil Patrick Harris and more. This is an alphabetical listing with annotations of every song written by Stephen Sondheim (there may be some that I've been unable to verify.) Sondheim followed with two less successful ventures: “Anyone Can Whistle” (1964) and “Do I Hear a Waltz” (1965). Sondheim songs, even terrific out-of-context numbers like "You Could Drive A Person Crazy," always function dramatically as words out of the character's mouth. Here's our collection of the most iconic dances performed on the Great White Way. Listen to Betty Buckley's terrific rendition on her "Live at Carnegie Hall" album. Stephen Sondheim in 1974, the year after the premiere of his A Little Night Music, which includes "Send in the Clowns." Simply Sondheim: 75th Birthday Benefit, Kritzerland, 2007. Patti LuPone; Bernadette Peters; Andrew Lloyd Webber; Claude-Michel Schönberg; Original Broadway Cast; Original London Cast; The Band; Stephen Schwartz; Kristin Chenoweth; Audra McDonald; Leonard Bernstein; Lin-Manuel Miranda; Alan Menken; Liza Minnelli; Julie Andrews; 19 % off. Who chopped cotton, who sprayed perfume at Macy’s, and who worked filing death certificates at an insurance company? Among other things, she looks back on an affair years earlier with the lawyer Fredrik, who was deeply in love with her but whose marriage proposals she had rejected. Songs from Merrily We Roll Along seem to be good candidates for this because it's a Sondheim show about characters of his own era, the second half of the 20th century. The book, based on farces by Plautus, was written by Burt Shevelove and Larry Gelbart. Genres: Show Tunes, Film Soundtrack, Musical Comedy. Stephen Sondheim. I take it back! cut from, Music by Mary Rodgers and SS; lyrics by SS and Martin Charnin; also known as "Don't Laugh", Also known as "Exodos: The Sound of Poets", Music by Mary Rodgers and SS, lyrics by SS and Martin Charnin; also known as "Who Knows / I Know", Dance music written by David Shire, based on Enjoy a night out at the theatre without breaking the bank. Johanna Lyrics: I feel you, Johanna / I feel you / I was half convinced I'd waken / Satisfied enough to dream you / Happily I was mistaken / Johanna / I'll steal you, Johanna / I'll steal you / Do Who do you think deserves the gold? /...Girls", cut from, Instrumental; music by Richard Rodgers; no SS contribution, Instrumental; music from "All Things Bright and Beautiful", "That Old Piano Roll", "Broadway Baby", "Who's That Woman? "Broadway Baby" is so irresistibly tuneful and fetchingly witty, the first time you hear it, you swear you've known it all your life. "Losing My Mind" is another Sondheim song written in the style of a particular pop song genre — in this case the torch songs of the 1930s. Again, I think it’s my history nerdism that’s blinding me here, but I can think of very, very … Show all songs by Stephen Sondheim Popular Stephen Sondheim albums Sondheim Sings, Volume 1: 1962-72. The first musical for which Sondheim wrote the music and lyrics was A Funny Thing Happened on the Way to the Forum, which opened in 1962 and ran for 964 performances. ... Apr 10 Top Ten Stephen Sondheim Songs To Live … Meeting him after so long, she realizes she is in love with him and … There are many great songs in Merrily We Roll Along, but the gorgeous, poignant "Not A Day Goes By" stands out. Getting Married Today. SS's lyrical contributions first used in the 1974, Music by Mary Rodgers and SS, lyrics by SS and Martin Charnin; also known as "That's Good, That's Bad", "The World's Full of Girls/The World's Full of Boys", "You Can Close the New York Stock Exchange". 2013 Six by Sondheim (TV Movie documentary) (lyrics: "Something's Coming") / (performer: "Opening Doors", "When I Get Famous", "Erna", "Can That Boy Fox, Trot", "Broadway Baby") / (writer: "Opening Doors", "Send In the Clowns", "Being Alive", "I'm Still Here", "Sunday", "When I Get Famous", "No Place Like London", "Erna", "Rose's Turn", "Overture", "Night Waltz", "Company", "Pretty Women", "Prologue and Jet Song", … This is especially true of songs from the musicals Sondheim wrote with James Lapine — Sunday in the Park With George, Into the Woods and Passion. ", — Steve , you don’t know how rough it’s been through the years watching some of your greatest songs go to the girls.” Originally intended to be sung as a double-duet with "Little White House." We shyly approached Stephen and said: “Perhaps you could write some more songs. American lyricist and composer Stephen Sondheim is known for the remarkable range of musicals he's worked on, from 'West Side Story' to 'Sweeney Todd' to 'Into the Woods.' "; also known as "Prologue", Instrumental; music by Jule Styne; no SS contribution, Instrumental; music from "Now You Know", "Good Thing Going", "Rich and Happy", and "Old Friends", "Prologos: Invocation to the Gods and Instructions to the Audience", Instrumental; music by Leonard Bernstein, original lyrics cut, Instrumental; music from "Who Could Be Blue? Sondheim's songs are so compelling that I find myself thinking of him, the artist behind the song, much the way one does with popular singer-songwriters and rock/pop stars. While doing the research for this list, I came upon a great number of titles, for which there was very little information. and Vanessa Dance", See "Dainty June and Her Farm Boys" (Listed separately by ASCAP), See "The God-Why-Don't-You-Love-Me Blues", Also known as "The Beggar Woman's Lullabye"; 2006 Broadway Revival Cast. the Forum, "The Advantages of Floating in the Middle of the Sea", Separate in the vocal score; part of "No Place Like London", "The Arthur Laurents Eightieth Birthday Song", Music by Leonard Bernstein; see "What a Day, What a Day (for an Auto-Da-Fé)", Instrumental; music from "Bring on the Girls" (cut from, Music by Leonard Bernstein; lyrics by SS for a short reprise in the 1974, "The Best Thing That Ever Has Happened" [first version], "The Best Thing That Ever Has Happened" [second version], Section of "Company" used throughout the score, Dance music arranged by John Berkman; also known as "The Vincent Has seriously pushed the notion that Sondheim 's Music is composed to further a dramatic,! 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