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*/, Video Pick of the Week: The Virtual Guitar Orchestra Goes Flamenco on Adam Del Monte’s ‘Relampiños’, Catching Up with Eclectic Guitarist and Composer Andrew York, The Rich Life & Long Lasting Legacy of Julian Bream, Video Pick of the Week: Cristina Galietto Plays Scarlatti’s K408, Julian Bream on Playing for Pablo Casals, the Influence of Skiffle Music on the Guitar’s Popularity, & More, Julian Bream on Recovering From Injury, Jazz Guitarists, & the Dearth of Modern Guitar Composers, Video Pick of the Week: Watch Thu Le’s Dazzling Version of ‘Historia de un amour’, Video Pick of the Week: Jack Cimo and Chris Goodpasture Play a Superb Guitar-Piano Version of Rodrigo’s ‘Concierto de Aranjuez’, Video Pick of the Week: The Beijing Guitar Duo Plays Bach’s Magnificent ‘Chaconne’, Gretchen Menn Plays Leo Brouwer’s ‘Etude No. We went on to record it, along with three Vivaldi concertos and a solo suite with music by Praetorius for the Parkening Plays Vivaldi, Warlock and Praetorius album. Parkening’s book reveals that he found the relentless travel and pressure to perform with peak accuracy every night a grind and a lonely existence. By 1968, Parkening had signed with Capitol Records and professional management, and began touring. The sound of your Ramirez guitars in concert and on record is a very distinctive component of your musical voice. How surprising it was to read in his 2006 autobiography, Grace Like a River, that during those heady years, as many of the guitarists he’d inspired practiced hard dreaming of a career like his, Parkening wasn’t enjoying his work. We shook hands, he got his guitar out of its case and played a nearly flawless performance of “Jesu.” I told him I was making a Bach album, and he told me he was also going to transcribe “Sheep May Safely Graze”—which is one of the most difficult pieces I have ever played on the guitar. Listen to your favorite songs from Christopher Parkening. BAD 1 - 2 POOR 2 - 3 FAIR 3 - 4 GOOD 4 - 5. I am very honored that the “Bach guitar” as we called it—a 1967 MT Ramirez used on many of my recordings, including Parkening Plays Bach—is on display at the Metropolitan Museum of Art in New York next to Segovia’s Manuel Ramirez and one of his famous Hauser guitars. $11.69. His cousin Jack Marshall, a studio musician active in the 1960s, introduced Parkening to the recordings of Andrés Segovia when he was 11 and encouraged his classical guitar studies. [7] He is currently Distinguished Professor of Music and Chair in Classical Guitar at Pepperdine University, where, in addition to his work with guitar majors, he also teaches a public master class. Christopher Parkening's commitment to music extends beyond his demanding performance schedule. Pages with related products. 1, Recuerdos De La Alhambra, Gymnopedie No. Notable recordings include Parkening Plays Vivaldi featuring a selection of Baroque concertos, Pleasures of Their Company with soprano Kathleen Battle, produced by Patti Laursen and nominated for the 1986 Classical Record of the Year Grammy Award as well as the world premiere recording of Peter Warlock's Capriol Suite with the Academy of St. Martin in the Fields. This is Me - Control Profile. Christopher Parkening and David Brandon performing this popular classic. He also penned a two-volume guitar method. That summer, Parkening and his wife headed to Montana for the much-anticipated, peaceful retirement. Parkening started playing local concerts, and by 1964 (at 16), he was chosen to participate in his first master class with Segovia. His thoughts centered on saving enough money to retire from the business by age 30. I also met Jerry Hyman through a friend when I was chairing the guitar department at the University of Southern California. What was your impression of this phenomenon? Does it follow that your editions continue to sell? He knew the guitar well through his work as staff guitarist at MGM, and he was used to working at “film-composing speed.” After Jack passed away, I had met Patrick Russ who was not only a fine classical guitarist, but also an excellent arranger/orchestrator. Every aspect of the guitar competition is a credit to their commitment to excellence. Grace like a River. The winner of this year’s competition will receive the $30,000 Jack Marshall Gold Medal Prize. In 2006, he established the prestigious Parkening International Guitar Competition, held at Pepperdine every three years. I loved all the different tonal colors and contrasts that I heard coming from the Maestro’s guitars, and in the late 1960s I had the wonderful opportunity, through Sherry-Brener in Chicago, to pick a guitar from about 500 instruments, all made with Brazilian Rosewood backs and sides, and most with cedar tops. The Christopher Parkening Guitar Method - Volume 2 book. He writes of losing it during a European tour: In an act of deliberate self-sabotage, he filed his right-hand nails so short that his remaining concert dates were a musical disaster. While visiting his Southern California home in winter, a neighbor invited Parkening to the Grace Community Church. On a personal note, I am very grateful to the leadership of Pepperdine University, who value the pursuit of art and the skill and discipline necessary to perfect this art. Yes, I have always felt that it is important for classical guitarists to publish arrangements so that the music can continue to be played. 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